求翻译下面一段,十分感谢,汉译英,谢绝机翻!O(∩_∩)O谢谢

2024-11-14 12:28:49
推荐回答(4个)
回答1:

Mr, Zhaishijing thinks that the artistic value of this novel does not lie in the story itself, but "in the unique character, detailed mind description, and steric net-work". the traditional phylosophy of a novel shows that the character is reflected by the story, however, depicts a person through other people's idiosychatic perspectives, instend of the surfacing-with-narration method, and the real-time emotion and value judgement, to grab as a whole the image of the objective.

回答2:

Mr.Zhaishijing thinks that the artistic value of this novel doesn't lie in the story itself,but on the unique figure images and delicate psychological description and three-dimensional network-like structure". The traditional novels think that the character images should be shown by story line, but the character images in < Mrs.Dalloway> are not network-like narrative propelled by narrative.Through individual eyes from different narratives with different views, we acquire diiferent emotion and value judgements for real, through which constitutes the grasp of the whole structure to described objects.

供参考

回答3:

Torres world mirror Mr Think this novel artistic value does not lie in the story itself, "but in unique characters, exquisite psychological description, three-dimensional network structures", the traditional novels view think character image is to plot to manifest, but the Mrs. Dalloway "characters not as narrative propulsion and surfaced reticular narrative, borrow the narrator in different perspectives of individualized vision, and realistically get different emotions and value judgment, and therefore constitute for describing the object's overall assurance.

回答4:

仅供参考:

Torres world mirror Mr Think this novel artistic value does not lie in the story itself, "but in unique characters, exquisite psychological description, three-dimensional network structures", the traditional novels view think character image is to plot to manifest, but the Mrs. Dalloway "characters not as narrative propulsion and surfaced reticular narrative, borrow the narrator in different perspectives of individualized vision, and realistically get different emotions and value judgment, and therefore constitute for describing the object's overall assurance.